WE LIKE TO PARTY

[grimgrinningghosts]

[There once were some worlds that worked so hard, there was just no time to play. But that will all changed when a weird bus pulls up one day.

Your character is going to be in the middle of whatever, at their home, on a mission, dying, whatever...when they’re approached by the giant Moron Mountain Party Bus. Approached is a strong word when it seems determined to reach your character at all costs, crashing through walls or blending in, whatever necessary.

Once the bus approaches and your character has taken notice of it, the doors open. You have three options here.

1. You can board the bus willingly, upon which the bus will close it’s doors drive/fly/dive towards it’s next pickup.
2. Be hypnotically entranced beyond your free will and dance on to the bus, thanks to the actually-hypnotic tones of ”We Like To Party” which the bus will play should you choose not to willingly board.
3. Have your character get pulled onto the bus by a giant cartoon hand that emerges from the top of it, grabbing and tossing your character on.

Once they’re on, you’ll realize the interior of the party bus is fairly luxurious. There’s a pole, a couple of drinks stashed next to one of the couches, and a disco ball. A few TV monitors hang around too, broadcasting some basketball game (but there’s a remote right there). There’s clearly someone wanting to keep you comfortable, but...who?

It’ll be of less comfort when you realize the bus doesn’t have a driver or a steering wheel, and as soon as you stepped on, all of your powers and weapons were rendered useless. It’s ominous, but hey, there’s drinks.



(ooc: Welcome to Foolish Mortals’ Non-Disney Round! You won’t arrive at Moron Mountain until the host intro log, so your bios and the locations haven’t come into play yet. If you or your character would want anything aboard the massive party bus within reason, feel free to assume it’s there, as it’s obviously pretty luxurious. The bus pick-ups happen in the following order, ICly:

1. Morty Smith
2. Boss Baby
3. Otis
4. Wabuu
5. Ginger
6. Fizzy
7. Willy Wonka
8. Coraline Jones
9. Gandhi
10. Cleo
11. The Little Girl
12. Audrey
13. Penny Poledina
14. Beth Tezuka
15. Beetle
16. Kubo
17. Spongebob Squarepants
18. Aquaman
19. Bender
20. Samurai Jack
21. Dinobot
22. Zhu Li Moon
23. Sarah Lynn
24. Bojack Horseman
25. Centipeedle
26. Dan Backslide ]

Comments

[dothebackslide]

Immensely American! Full of patriotic men and women, all trained to be SELF-RIGHTEOUS TOOLS OF THE ELITE, JUDGING ALL THAT YOU DO!

[Cough] Ahem.

[essentiallyinvisible]

Um...sounds a bit like the Werth admissions panel. [Seriously, now that she thinks back on it, literally all they wanted was one memorized answer.] The judging bit, I mean. [Another pause.] Actually that sounds like a lot of grown-ups.

[dothebackslide]

I DON'T KNOW ABOUT YOU, BUT A LOT OF GROWN UPS REALLY DOVETAILED THE GROWN UPS FRANCHISE.

[essentiallyinvisible]

...the...franchise? What franchise?

[dothebackslide]

THE GROWN UPS FRANCHISE, THOSE CINEMATIC CLASSICS.

[essentiallyinvisible]

Okay...so it's a film series? I don't believe I've even heard of it before.

[dothebackslide]

ADAM SANDLER DESERVES AN OSCAR Y'KNOW!

[essentiallyinvisible]

That...American actor? [She thinks she's heard his name behind a few films.] I guess you'd know better. Mom won't let me watch most of his films.

[dothebackslide]

Well, in all honesty, I've begun to feel lately that his works have lacked a certain magic and humanity. They're crude for crudeness sake, lacking a heartfelt care for its characters. Without much heart or consequence. Take Happy Gilmore: in that film, the conflict of Gilmore's rage and how it interfered with his desires provided a funny yet passionate character. As funny as it is to see Gilmore scream and rage and bluster, seeing him overcome his rage in order to better himself as a person is a far more heartwarming development that shows his growth throughout the film. Its those little touches that ensure the audience cares for the film's characters. Compare to his recent work: Jack and Jill makes old-fashioned and now almost offensive "ooh a man wearing girls' clothing!" jokes, ignoring the in-universe fact that Jill is a woman in the story. There's no internal logic. Hotel Transylvania brought back some of the magic, but the sequel ignores the emotional lesson of the film and destroys its own message about accepting your family as they are. Its a complete failure to commit and speaks to the larger problems of his immaturity and refusal to advance as an artist

[He inhales some smoke.

Exhales some smoke.]

YOUR MOM SOUNDS LIKE A NERD!

[That lasted long.]

[essentiallyinvisible]

[She stares as he rambles on and on. This is a whole bunch of information she never knew about this one actor. Unfortunately, he has to go and ruin it with his last line.]

Wh-what does that have to do with anything? Doesn't knowing so much about his films make you a "nerd" as well? [That's one bit of slang she knows.]